Abruozdielis:Leonardo da Vinci - Ginevra de' Benci - Google Art Project.jpg

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Leuonards da Vėnčis: Džinevros de Benči portretas  wikidata:Q1267893 reasonator:Q1267893
Autorius
Leuonards da Vėnčis  (1452–1519)  wikidata:Q762 s:en:Author:Leonardo da Vinci q:lt:Leonardas da Vinčis
 
Leuonards da Vėnčis
Kiti vardai
Leonardo di ser Piero da Vinci, Leonardo
Aprašymas Italian dailininkas, inžinierius, astronomas, filosofas, anatomist ėr matematikas
Gimimo/mirties data 1452 m. balondė 15 d. / 1452 m. Edit this at Wikidata 1519 m. gegožės 2 d. / 1519 m. Edit this at Wikidata
Gimimo/mirties vieta Anchiano Ambuazas
Darbo laikotarpis 1466 m. - 1519 m.
date QS:P,+1500-00-00T00:00:00Z/6,P580,+1466-00-00T00:00:00Z/9,P582,+1519-00-00T00:00:00Z/9
Darbo vieta
Florencėjė (1466–1482), Mėlans (1483–1499), Mantuja (1499), Venecija (1500), Florencėjė (1500–1506), Mėlans (1506–1513), Florencėjė (1507–1508), Ruoma (1513–1516), Ambuazas (1513–1518)
Authority file
artist QS:P170,Q762

Details on Google Art Project
image of artwork listed in title parameter on this page
Pavadinimas
anglų:
Ginevra de' Benci

Džinevros de Benči portretas
title QS:P1476,en:"Ginevra de' Benci"
label QS:Len,"Ginevra de' Benci"
Object type paveikslas
object_type QS:P31,Q3305213
Žonros portretas Edit this at Wikidata
Depicted people Ginevra de' Benci Edit this at Wikidata
Čiesos (c. 1474 - 1478)
Technika oil on panel
medium QS:P186,Q296955;P186,Q106857709,P518,Q861259
Matmenys aukštis: 427 mm; plotis: 370 mm
dimensions QS:P2048,427U174789
dimensions QS:P2049,370U174789
institution QS:P195,Q214867
Dabartinė vieta
Leidimo numeris
1967.6.1.a
Objekto istorija

Reigning Princes of Liechtenstein in Vienna and later Vaduz, principality of Liechtenstein, by 1733, the date of a red wax seal, bearing the Liechtenstein arms, on the reverse;[1] purchased 10 February 1967 by NGA.[2]

[1] The name "Ginevra" was too common in the Renaissance to assume with Jean Adhémar ("Une galerie de portraits italiens à Amboise en 1500," Gazette des Beaux Arts 86, no. 1281 (October 1975): 100), followed by Fern Rusk Shapley (Catalogue of the Italian Paintings, 2 vols., Washington, D.C., 1979: 1:251 255) that a portrait of a lady so named in an inventory made at Amboise in 1500 refers to Leonardo's painting, which the early sources, to the contrary, place in Florence. It is not known whether the painting belonged to the Benci family in the early sixteenth century, as Antonio Billi (Il Libro di Antonio Billi esistente in due copie nella Biblioteca nazionale di Firenze, ed. Carl Frey, Berlin, 1892: 51), who presumably saw it, does not give its location. The picture may well have entered the Liechtenstein Collection by 1712 or earlier, as the 1733 seal designated works that were part of the "Fideikommissgalerie" of Prince Johann Adam (1657 1712), held in trust but not personally collected by the then reigning Prince Josef Wenzel (1696 1772) (see Reinhold Baumstark, "Collecting Paintings," in Liechtenstein, The Princely Collections, exh. cat., The Metropolitan Museum of Art, New York, 1985: 183 185). The founder of the picture gallery at Feldsberg was Prince Karl Eusebius (1611 1684), a distinguished connoisseur who liked small cabinet type paintings. He was succeeded by his son, the already mentioned Prince Johann Adam (1657 1712), also an avid collector who, however, preferred the Italian Baroque. Either could have obtained the painting in Florence, where both traveled (Olga Raggio, "The Collection of Sculpture," in Liechtenstein, The Princely Collections, exh. cat., The Metropolitan Museum of Art, New York, 1985: 63 65). Leonardo's authorship, in any case, came to be forgotten, as the panel was attributed to Lucas Cranach in the Liechtenstein Catalogue of 1780.


[2] During World War II the picture was transferred, with the rest of the collection, from the Garden Palace in Vienna to the castle at Vaduz in the principality of Liechtenstein, and from there it was acquired from Prince Franz Joseph II for the National Gallery.
Dati di acquisizione Ailsa Mellon Bruce Fund
Pastabos More info at museum site
Riferimenti
Authority file
Šaltinis/Fotografas 9QEdQ-BD4WEqPQ at Google Cultural Institute maximum zoom level
Kitos versijos
Remastered color

Lėcencėjė

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

Šis failas yra viešo naudojimo tose šalyse, kuriose autorių teisės galiojimo netenka po 100 metų nuo autoriaus mirties.


Šis darbas laikomas viešo naudojimo Jungtinėse Amerikos Valstijose, nes jis buvo įregistruotas JAV Autorių Teisių Biure ar publikuotas iki 1929 m. sausio 1 d.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

Captions

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Ginevra de' Benci, c. 1474–1480. National Gallery of Art, Washington D.C.

Items portrayed in this file

vaizduoja lietuvių

media type anglų

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Dėina/ČiesosPamažėnėmsMierāNauduotuosPaāškėnėms
vielībs08:53, 26 vasarė 2018Atmaina 08:53, 26 vasarė 2018 pamažėnėms10 483 × 11 110 (67,1 MiB)Aavindraahigher res (NGA)
09:03, 9 spalė 2012Atmaina 09:03, 9 spalė 2012 pamažėnėms5 489 × 5 705 (10,67 MiB)DcoetzeeBot=={{int:filedesc}}== {{Google Art Project |commons_artist={{Creator:Leonardo da Vinci}} |commons_title= |commons_description= |commons_date= |commons_medium= |commons_dimensions= |commons_institution= |commons_location= |commons_references= |commons_ob...

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